Orchids, the epitome of floral beauty, have long inspired poetry, adventure, art and scientific discovery. In Orchid Muse, historian and home orchid grower Erica Hannickel brings together fascinating tales of the orchid-smitten throughout history, along with tips on growing the exotic blooms at the centre of each account. Consider, for instance, Empress Eugenie and Queen Victoria, the two most powerful women in nineteenth-century Europe, who shared a passion for Coelogyne cristata. John Roebling, builder of the Brooklyn Bridge, and Raymond Burr, the actor famed for playing Perry Mason, cultivated thousands of orchids, introducing captivating new and unusual species. Transporting the reader from hazardous Amazonian journeys to a seedy dime museum in Gilded Age New York's Tenderloin, from the glories of the palace gardens of Chinese Empress Cixi to the island of Bourbon, where the vanilla orchid thrives, Orchid Muse spans the world, exploring our enduring fascination with these exquisite flowers.

The lush, sun-drenched vineyards of California evoke a romantic, agrarian image of winemaking, though in reality the industry reflects American agribusiness at its most successful. Nonetheless, as author Erica Hannickel shows, this fantasy is deeply rooted in the history of grape cultivation in America. "Empire of Vines" traces the development of wine culture as grape growing expanded from New York to the Midwest before gaining ascendancy in California--a progression that illustrates viticulture's centrality to the nineteenth-century American projects of national expansion and the formation of a national culture."Empire of Vines" details the ways would-be gentleman farmers, ambitious speculators, horticulturalists, and writers of all kinds deployed the animating myths of American wine culture, including the classical myth of Bacchus, the cult of "terroir," and the fantasy of pastoral republicanism. Promoted by figures as varied as horticulturalist Andrew Jackson Downing, novelist Charles Chesnutt, railroad baron Leland Stanford, and Cincinnati land speculator Nicholas Longworth (known as the father of American wine), these myths naturalized claims to land for grape cultivation and legitimated national expansion. Vineyards were simultaneously lush and controlled, bearing fruit at once culturally refined and naturally robust, laying claim to both earthy authenticity and social pedigree. The history of wine culture thus reveals nineteenth-century Americans' fascination with the relationship between nature and culture.